Sexual Imagery on the "Phantasmagorical Castles" at Khajuraho
For one glorious century starting just before the year 1000 Vikrama (A.D. 943),
the political center of North India's Imperial formation1 shifted from Kanauj in the Yamuna-Gangetic Doab
(Mesopotamia), southwards to Khajuraho in the heavily-jungled uplands the
Vindhyas. There, a succession of five Candella kings presided over the final,
but also finest efflorescence of the NAgara-order temple, an architectural
style whose origins are can be traced to Gupta-period prototypes in the same
Bundelkand region,2 and whose extinction as
a vibrant creative tradition was perpetrated by iconoclastic Islam. Yet as
Fate would have it (personified in the Zri-LakSmI consort of the Candella
dynasty's brief Imperium),3 geographic
remoteness insured the relatively intact survival of a dozen masterpieces of
NAgara temple architecture at Khajuraho.4
Apparently, they escaped notice of even SultAn MahmUd himself, who lay futile
siege to the impregnable Candella fortress at Kalanjar, not 50 miles away in AD
1022, on his 14th predation out of Ghazni, Afghanistan.5 It is true that in 1342 Ibn Battuta saw evidence of
muslim mutilations, on the consecrated images at Khajuraho,6 and the largest Ziva-linga in North India,
still in worship in the MAtangezvara, suffers the indignity of two Persian
inscriptions.7 But otherwise, especially
in their overwhelmingly figural outer fabrics [e.g., Plate 1], these temples
survived centuries of neglect (following the final collapse of Candella power
in 1308) with remarkable integrity, and soon after initial rediscovery
by an Englishman in 1838,8 concerted
efforts to restore them were undertaken, first by the local Chatarpur rajas,
and since by the Archaeological Survey of India.
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